I got to ask Kim about her process and her life in general, and here is what she shared:
E: I so love the composition of this picture. Tell me, how did you decide on this angle?
K: I loved
the thought of a girl riding up to a house on a horse; it was such a poignant
scene in the book. What girl wouldn’t love to do that? I did some initial
sketches from my head and showed them to my studio group. They gave me some
great feedback- that the streets in Catalina would all be build on hills, so I
angled the sidewalk to show that. I wanted her to look tentative, and I knew I
wanted a physical barrier between her and the door.
Here are some shots of the piece in process:
I went around Seal Beach
looking for the perfect house, which brings me to question 2!
E: Is the house in the picture modeled on an
actual house? If so, how did you decide on it?
K: I like to
walk and run in Seal Beach, and that’s when I do my best creative thinking. I
tried to imagine what kind of house an intellectual man and his son would rent
as a getaway… it had to have charm, cool plants, be a little funky. I didn’t
want it to look perfectly manicured but not run down, and it had to have
comfortable places for sitting outside and reading. I took pictures of three
different houses, and this one won out. I think it was the staghorn fern and
the tree. I’m definitely a bit of a plant geek.
E: You
mention that you tried a new technique with this piece. Tell me about it.
K: I love
Tony DiTerlizzi and have been drooling over his illustrations in the SpiderwickChronicles. Such amazing linework, and done so masterfully in nib pen. He, in
turn, thanked Arthur Rackham in the book dedication for being his inspiration.
I had artwork from both artists on my desk as I was inking and I was very
inspired by both of them. However, when I started to think about color, I knew
I didn’t want to try to be too realistic and plan out a lighting scheme with
watercolor like I normally do; I wanted to be a little more playful. I wanted
to use chunky blocks of color and to make it look like rough offset printing. I’m
happy with the result, and also amazed at how easy it is to change things when
it’s digital!
E: Tell
us about when and where you work.
K: Here’s
the schedule on a perfect day. Up at 6:30, coffee in hand. Morning panic
ensues, boy to school, man to work. Grab the dog, head out for a run. Come home,
deep breath, head down at the desk and blast out a few hours of work. I then
realize I should shower before I see anyone. Smelling better, I get a few more
hours of work done before the boy is home from middle school. I work in an
office in my house that adjoins the sunroom. It always seems to be a mess but
the chaos is organized chaos. That’s what I keep telling myself, at least. It’s
a great space but I live with the normal work-at-home issues like laundry and
dishes, and a dog who endlessly wants to play ball.
The drawing desk in the office |
The view to the sunroom |
E: Do
you have a preferred medium?
K: I love
pen and ink and I love watercolor. Sometimes I’ll add colored pencils over my
watercolors. I’ve been working on a project in this medium for a while, and I
find that to keep myself fresh and not bored I have to break out every so often
and experiment. I had a fun artist playdate at my house a couple of months ago
and did collage with corrugated cardboard, torn paper and Sharpie marker. I’ll always go back to ink and watercolor,
but I would like to pursue this digital collage color a little more.
E: I know you are involved in an
interesting project of your own. What can you share?
K: It’s a
project really close to my heart- a graphic novel in watercolor about a surfer
girl whose life changes for the weird after she swims through a cave. It’s
goofy and fun and my protagonist is like the daughter I never had. I am
fortunate enough to have a very supportive agent who will be taking it out into
the wide world to look for a home in October. Fingers crossed!
E: What
advice would you give people who’d like to break into the art world?
K: We all
bring a little piece of new to the drawing board. Stay inspired, have something
to say, and keep your skills up at all times. It helps have an insatiable
desire to learn and the ability to take constructive criticism. It’s a
privilege to be an artist, and not to be taken lightly. Be a good one. Oh, and
make arty friends. Artists totally need a support group, especially if you’re
working isolated at home.
E: Do you
have a web presence?
K: I do,
though I really have to update my personal website (it’s on the list.) You can
find more of my work at www.kimdwinell.com.
My graphic novel also has a website, you can check that out at www.surfsidegirls.com.
Kimberly Dwinell |
Beautiful! I love this visual image of such a poignant scene in an amazing novel! :)
ReplyDeleteThank you, Denise! I really love this scene, and Kim has captured Scarlett's sort of nervous arrival, I think!
ReplyDeleteWonderful. The muted colors of the background really adds to the feeling of uncertainty.
ReplyDeleteI agree, Carolyn! Lots of blue and gray. And the shadow, front and center.
ReplyDeleteHmmmm, wonder what she's thinking.
ReplyDelete